Warner Brothers Quotes

The reality is that every movie is a new business. Nobody says, ‘Hey, let’s go down to the Pantages Theater, I hear a Warner Brothers picture is playing there.’ Or, ‘Let’s go to this theater, I hear the film came in on budget.’ It’d be ridiculous.

I had a traditional interview based on a phone call from an agent. He says there’s a show and they would like to see you and its called Dallas. With very little knowledge I go over to this meeting at Warner Brothers.

Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig.

Mel Blanc is a hero because of what he could do with his voice for all the Looney Tunes, the Warner Brothers cartoons, to be the voice of Bugs Bunny, Daffy Duck, Elmer Fudd, Porky Pig. To me, he’s a great actor.

The parallel we like to make…. is the idea of becoming the next Warner Brothers, which is a company that creates the content, but they also produce the content. They also distribute; they also market. So we say that because Fine Bros. and Warner Brothers is fun to say.

Finding original source material is not easy, but when something special like ‘Edge of Tomorrow’ comes along, everybody recognized it. I wasn’t swimming against the stream. Warner Brothers immediately supported it, Tom Cruise signed on instantly; Emily Blunt, who was our first choice, signed on immediately.

Our publicist at Warner Brothers is a young guy who has worked so hard for seven years with us and when we saw him backstage he broke down and cried. He couldn’t believe it happened. It was seeing him so overcome when we realised how much it really meant.

The story of Warner Brothers’ movie, ‘Mildred Pierce,’ recounts the enormous and unrewarded sacrifices that a mother (Joan Crawford) makes for her spoiled, greedy daughter (Ann Blythe).

I’ve had the luxury of working on a lot of our great brands here at Warner Brothers, including a lot of the DC ones. I’ve also worked on a lot of great brands that were not DC.

I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies, and Loony Tunes cartoons.

I love the Warner Brothers lot. There is so much history there. They’ve done such a smart thing. They have signs outside of each stage which tell you what movies and TV shows were shot inside. So cool… you can almost feel the ghosts of actors past.

I bumped into Mike Epps in a barber shop. I was in the Warner Brothers studios trying to find my way for an audition and director Jordan Peele was just standing talking in a corner, so I had to introduce myself.

I can’t stop watching black and white movies. I live in a world of Warner Brothers movies and all of that stuff from an older era, and I love them. I still love them. When I look at them, I sometimes think I was born in the wrong time.

My career at Warner Brothers consisted of one musical short subject. I was running around in a bear skin. Very chic.

I remember telling the head of Warner Brothers that if they’d just make a video for ‘Ol’ Red’… and if it didn’t work, they could drop me from the label.

I’m first and foremost a company man, surprising as that is. I love Warner Brothers. That’s where I have a deal. That’s where I’ve been for years. So I don’t really interact too much with other studios and do things with other studios and I don’t necessarily read scripts from other studios.

I did an adaptation for a movie called ‘The Devil in the White City’ by Erik Larson for Warner Brothers. I love that book.

Most of the contract people at MGM stayed and stayed and stayed. Why? Because the studio looked after them. Warner Brothers wouldn’t – they were always spanking somebody or selling them down the river.

I’m a huge fan of Warner Brothers cartoons. I would spend many hours alone after school watching Daffy Duck. I think Daffy Duck is one of the great comedic villains.

I always made the joke that I would have loved to have been a fly on the wall when Warner Brothers first put ‘Tusk’ on and listened to it in their boardroom as a follow-up to ‘Rumours.’

Independent films in this country are in the same position. Miramax and Fine Line are not independent – they’re with Disney! Come on. Or they’re with Warner Brothers. They’re all with somebody.

When I first moved from Chicago to L.A., I starred in the ‘Vacation’ movies as Audrey Griswald, and that was like the starring role in a Warner Brothers movie. I thought everything was made, and then six months later, I’m back auditioning.