Sebastian Koch Quotes

I have always had a longing to talk about this Nazi period because my parents’ generation wouldn’t talk about it after the war at all. From an actor’s point of view, it’s amazing to play in one year the Nazi Albert Speer and Claus von Stauffenberg.

I like success, but I don’t believe in it at the expense of other stuff. It’s more important to stay in my skin.

I’m German! Actually, I love my countr, ;I love the language. The German language is very special because it is so precise. There is a word for everything. There are so many wonderful words that other languages don’t have. It is impressive to have such a rich language, and I love to work in that language.

I’m very picky when saying yes to a script. I take a very long time to decide myself because I spend a lot of time with this and so to take parts where I think I can take something from my life as well. It must be interesting for me.

For me, it depends only on the script, the part I’m doing, and the people around me. It could be in Greenland or the Sahara. I don’t care.

The script is so important… Even if you have a huge entourage or big lighting trucks, the most important thing is the space between the actor and the camera.

Success doesn’t drive me away from home.

I lost connection with music for a while, but I’ve always loved it.

I definitely won’t play the bad German, the Nazi German, here in Hollywood or wherever.

You throw a rock in the water, and ripples spread out slowly. But they do go far.

I’m a teamworker.

I have no ‘dream role.’ It just comes to me; it’s very intuitive, and I say, ‘OK, I have to do this now.’ It’s not logical; just, ‘I have to jump into this very strange character,’ or something like that. I can’t even explain it.

I have so many good offers in my country or, let’s say, in Europe. I just wait for the best offers, like I always did. And if this can be in Hollywood, why not?

I was always an admirer of French movies when I was young.

I kept having the producers of ‘Fog in August’ take out some of the Nazi terms and phrases. I don’t want audiences to look at this doctor and say, ‘He is a Nazi monster’ and think that it has nothing to do with our lives today.

The Germans call him ‘Our Shakespeare’ because we love him.

Shakespeare is global – of course he can be shared.