Jodi Picoult Quotes

Many of my books come from what if questions that I can’t answer, things that I’m worried about as either a woman, a wife, a mom, an American.

I think there are readers out there and I don’t think the book is dead. And more importantly I don’t think readers have to choose between literary and commercial fiction.

Every year I tell myself that I’m not going to read any reviews and then I do. We’re all human and when I read something negative it hurts. I think when you write it’s part of the game, you’re going to get some good reviews and some bad reviews and that’s how it goes. I don’t write for the reviews.

As an American I wanted to explore… why are we the only first world country that still has capital punishment? Is it because we’re too afraid to really examine the system, or is it because we really truly believe that this is the best way to deter future crime?

I’m always writing, even when I’m not at my desk. I write on my hands. I used to write on my kids’ hands, too, but they don’t let me any more. When I’m driving I sometimes write all the way up my arms.

Read a ton. Take a workshop course so you learn to give and get criticism.

I have several writer friends, but I don’t involve them in my work process. I’m more likely to talk about the business of publishing with them.

I will say overwhelmingly what means so much more to me than the opinion of one reviewer are the letters I get from fans who tell me how a particular book has changed their life.

I started writing when I had three kids under the age of 4. I used to write every ten minutes I got to sit in front of a computer. Now, when I have more time, I function the same way: if it’s writing time, I write.

I think I have sort of gravitated toward issues that I don’t know the answers to, because that’s what’s more interesting for me to write.

I’m the kind of person you want to kill. I had an incredibly happy childhood. I married a terrific guy when I was 23. I have great, well-adjusted kids. Sometimes my husband and I look at each other and do a little jig in the kitchen. This is the best life.

You might not write well every day, but you can always edit a bad page. You can’t edit a blank page.

I am an activist. I have a really big pulpit with my fiction and I love knowing that I can make people think.

I know that books I have written will still resonate in 50 years – particularly ‘My Sister’s Keeper.’ It has sold three million copies in the States alone. I strongly feel that, as a novelist, you have a platform and the ability to change people’s minds.

My friends say I have two speeds: fast and blistering.

It’s a fallacy that writers have to shut themselves up in their ivory towers to write. I have all these interruptions, three of which I gave birth to. If I was thrown for a loop every time I was distracted I could never get anything done.

I think the ‘New York Times’ reviews overall tend to overlook popular fiction, whether you’re a man, woman, white, black, purple or pink. I think there are a lot of readers who would like to see reviews that belong in the range of commercial fiction.

I feel I’m able to get rid of any demons lurking in my psyche through my writing, which leaves me free to create all of this and to enjoy our family life, stepping away from all the fictional traumas and the dramas. If I write about family in crisis, then I won’t have to live through it, I guess.

Writing is total grunt work. A lot of people think it’s all about sitting and waiting for the muse. I don’t buy that. It’s a job. There are days when I really want to write, days when I don’t. Every day I sit down and write.

I woke up one morning thinking about wolves and realized that wolf packs function as families. Everyone has a role, and if you act within the parameters of your role, the whole pack succeeds, and when that falls apart, so does the pack.

I write adult fiction, but a good 40 to 50 per cent of my readers are teenagers. I love that if they have to grow up and move past JK Rowling they can move to me. From Jo to Jodi!

When I think about writers who use fiction as social commentary and to raise social awareness but who are also very popular, I think of Dickens.

I’m not going to tell a person how to think, don’t believe in that. What I want to do, when I write these books, is just to say don’t be so sure of yourself. Let me pull the carpet out from underneath you, and let’s see if you can still find the footing.

I don’t believe in writer’s block. Think about it – when you were blocked in college and had to write a paper, didn’t it always manage to fix itself the night before the paper was due? Writer’s block is having too much time on your hands.

On a shelf above my computer are five letters that spell out W-R-I-T-E. Just in case I forget why I’m there. I also have ‘Wonder Woman’ paraphernalia from when I wrote five issues of the comic, and pictures of my husband and kids.

If you read the first page of one of my novels, I can guarantee that you will read the last one. This isn’t just social commentary. This is also about writing good page-turners. I want people to keep reading.

For me it’s more important that I outline all the facets of a controversial issue and let the reader make up his or her mind. I don’t care if readers change their minds, but I would like readers to ask themselves why their opinion is what it is.

I consider myself spiritual and I’m married to a man who is both an atheist and a humanist, and my kids have been raised with the traditions of different religions, but they do not go to church or temple. My feeling is that everyone should be able to believe what they want or need to believe.

Everyone has a book inside of them – but it doesn’t do any good until you pry it out.

When you’re stuck, and sure you’ve written absolutely garbage, force yourself to finish and then decide to fix or scrap it – or you will never know if you can.